Stereoscopic image production: live, CGI, and integration

Enrique Criado

doi:10.1117/12.650355

27 January 2006 Stereoscopic image production: live, CGI, and integration

Enrique Criado

Proceedings Volume 6055, Stereoscopic Displays and Virtual Reality Systems XIII; 605504 (2006) https://doi.org/10.1117/12.650355
Event: Electronic Imaging 2006, 2006, San Jose, California, United States

Abstract

This paper shortly describes part of the experience gathered in more than 10 years of stereoscopic movie production, some of the most common problems found and the solutions, with more or less fortune, we applied to solve those problems. Our work is mainly focused in the entertainment market, theme parks, museums, and other cultural related locations and events. In our movies, we have been forced to develop our own devices to permit correct stereo shooting (stereoscopic rigs) or stereo monitoring (real-time), and to solve problems found with conventional film editing, compositing and postproduction software. Here, we discuss stereo lighting, monitoring, special effects, image integration (using dummies and more), stereo-camera parameters, and other general 3-D movie production aspects.

Citation Download Citation

Enrique Criado "Stereoscopic image production: live, CGI, and integration", Proc. SPIE 6055, Stereoscopic Displays and Virtual Reality Systems XIII, 605504 (27 January 2006); https://doi.org/10.1117/12.650355

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